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Ananya Panday’s ‘Chand Mera Dil’ Box Office Woes Continue, Barely Hits ₹22 Crore Mark

Published: 30-05-2026, 5:00 PM
Ananya Panday's 'Chand Mera Dil' Box Office Woes Continue, Barely Hits ₹22 Crore Mark
  • “Chand Mera Dil” starring Lakshya and Ananya Panday has collected only ₹22.35 crore net in 9 days.
  • The film received mixed reviews and has shown minimal growth since its release.
  • It faces strong competition from Hollywood and other Bollywood releases.
  • Ananya Panday’s fusion dance sequence sparked widespread criticism and defense.

Lakshya and Ananya Panday’s romantic drama “Chand Mera Dil” is struggling at the box office, barely crossing ₹22 crore in nine days. The film, which received mixed reviews, also sparked controversy over a unique dance sequence, adding to its challenges amidst stiff competition.

Box Office Performance: A Slow Burn

Chand Mera Dil box office collection day 9: Lakshya and Ananya Panday ’s romantic drama released in theatres last Friday and received mixed reviews from both critics and audiences. The film had a slow start at the box office and witnessed minimal growth over the weekend. Since then, the film has seen no growth.

This brings the total India gross collections to ₹ 26.39 crore and the total India net to ₹ 22.35 crore so far. The film is facing heat from multiple releases at the box office, the new Hollywood horror films Obsession, Star Wars: The Mandalorian and Grogu, and the Bollywood film Pati Patni Aur Woh Do.

Facing Stiff Competition

A scene from Chand Mera Dil which shows Ananya’s character Chandni perform a fusion classical dance – a mix of Bharatanatyam , hip-hop, and locking has attracted a lot of reactions. Everyone from classical dance exponents to writers has chipped in to either criticise or defend her. In an interview with Hindustan Times, Charu Shankar, who played Ananya Panday’s mother in Chand Mera Dil, defended her.

The Viral Dance Controversy

“I think everyone is entitled to their opinion, but trolling is never in good taste. Conversations around art are valid. Mockery is not,” she says, adding, “The sequence being discussed was always conceived as a contemporary, edgy breakout introduction for Chandni’s character. In the film’s visual storytelling, this moment announces the arrival of a young woman who is not afraid to break the rules.”

Despite a spirited defense of its controversial dance sequence, “Chand Mera Dil” continues to underperform. Its struggle highlights the tough competition in the current cinematic landscape and the critical reception it has faced from both audiences and critics.

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